time suddenly reverses and we watch together
as winds and rivers build mountains from dust
as islands sigh and sink back into the ocean like brooding leviathans
we erase what we wrote and forge forests from blank canvases
we excavate corpses like buried treasures born from the earth
we compress and collapse the last great cities into cravings for change

time suddenly reverses and we watch together
as portals of Polaroid people and places become pointless pieces of paper
we disentangle our desires from the raveled ropes of realization
we dust off deserted dreams and unpack them from boxes in the attic
we set them out on display for everyone to know and see

time suddenly reverses and we watch together
as scientists discover new ways to delete technological innovations
as people strive to detach themselves from their material possessions
we admire how hard everyone is working to remove all the distractions
each person playing their part in order to get back to what really matters
everyone is trying so hard to become less

time suddenly reverses and we watch together
as our moms and dads rise out of love and divorce with a handshake
as people evolve and devolve as they fade into and out of our lives
as everything continuously changes every day
for a moment we remember that life is rewinding
but then we forget

(…)

by @whatisyarvy on twitter

1. I told you that I was a roadway of potholes, not safe to cross. You said nothing, showed up in my driveway wearing roller-skates.

2. The first time I asked you on a date, after you hung up, I held the air between our phones against my ear and whispered, “You will fall in love with me. Then, just months later, you will fall out. I will pretend the entire time that I don’t know it’s coming.”

3. Once, I got naked and danced around your bedroom, awkward and safe. You did the same. We held each other without hesitation and flailed lovely. This was vulnerability foreplay.

4. The last eight times I told you I loved you, they sounded like apologies.

5. You recorded me a CD of you repeating, “You are beautiful.” I listened to it until I no longer thought in my own voice.

6. Into the half-empty phone line, I whispered, “We will wake up believing the worst in each other. We will spit shrapnel at each other’s hearts. The bruises will lodge somewhere we don’t know how to look for and I will still pretend I don’t know its coming.”

7. You photographed my eyebrow shapes and turned them into flashcards: mood on one side, correct response on the other. You studied them until you knew when to stay silent.

8. I bought you an entire bakery so that we could eat nothing but breakfast for a week. Breakfast, untainted by the day ahead, was when we still smiled at each other as if we meant it.

9. I whispered, “I will latch on like a deadbolt to a door and tell you it is only because I want to protect you. Really, I’m afraid that without you I mean nothing.”

10. I gave you a bouquet of plane tickets so I could practice the feeling of watching you leave.

11. I picked you up from the airport limping. In your absence, I’d forgotten how to walk. When I collapsed at your feet, you refused to look at me until I learned to stand up without your help.

12. Too scared to move, I stared while you set fire to your apartment – its walls decaying beyond repair, roaches invading the corpse of your bedroom. You tossed all the faulty appliances through the smoke out your window, screaming that you couldn’t handle choking on one more thing that wouldn’t just fix himself.

13. I whispered, “We will each weed through the last year and try to spot the moment we began breaking. We will repel sprint away from each other. Your voice will take months to drain out from my ears. You will throw away your notebook of tally marks from each time you wondered if I was worth the work. The invisible bruises will finally surface and I will still pretend that I didn’t know it was coming.”

14. The entire time, I was only pretending that I knew it was coming.

by Miles Walser

1. Anyone intending to embark on a major work should be lenient with himself and, having completed a stint, deny himself nothing that will not prejudice the next.

2. Talk about what you have written, by all means, but do not read from it while the work is in progress. Every gratification procured in this way will slacken your tempo. If this regime is followed, the growing desire to communicate will become in the end a motor for completion.

3. In your working conditions avoid everyday mediocrity. Semi-relaxation, to a background of insipid sounds, is degrading. On the other hand, accompaniment by an etude or a cacophony of voices can become as significant for work as the perceptible silence of the night. If the latter sharpens the inner ear, the former acts as a touchstone for a diction ample enough to bury even the most wayward sounds.

4. Avoid haphazard writing materials. A pedantic adherence to certain papers, pens, inks is beneficial. No luxury, but an abundance of these utensils is indispensable.

5. Let no thought pass incognito, and keep your notebook as strictly as the authorities keep their register of aliens.

6.Keep your pen aloof from inspiration, which it will then attract with magnetic power. The more circumspectly you delay writing down an idea, the more maturely developed it will be on surrendering itself. Speech conquers thought, but writing commands it.

7. Never stop writing because you have run out of ideas. Literary honor requires that one break off only at an appointed moment (a mealtime, a meeting) or at the end of the work.

8. Fill the lacunae of inspiration by tidily copying out what is already written. Intuition will awaken in the process.

9. Nulla dies sine linea [‘No day without a line’] — but there may well be weeks.

10. Consider no work perfect over which you have not once sat from evening to broad daylight.

11. Do not write the conclusion of a work in your familiar study. You would not find the necessary courage there.

12. Stages of composition: idea — style — writing. The value of the fair copy is that in producing it you confine attention to calligraphy. The idea kills inspiration, style fetters the idea, writing pays off style.

13. The work is the death mask of its conception.

by Maria Popova (via nevver)

Vex me, O Night, your stars stuttering like a stuck jukebox,
put a spell on me, my bones atremble at your tabernacle

of rhythm and blues. Call out your archers, chain me
to a wall, let the stone fortress of my body fall

like a rabid fox before an army of dogs. Rebuke me,
rip out my larynx like a lazy snake and feed it to the voiceless

throng. For I am midnight’s girl, scouring unlit streets
like Persephone stalking her swarthy lord. Anoint me

with oil, make me greasy as a fast-food fry. Deliver me
like a pizza to the snapping crack-house hours between

one and four. Build me an ark, fill it with prairie moths,
split-winged fritillaries, blue-bottle flies. Stitch

me a gown of taffeta and quinine, starlight and nightsoil,
and when the clock tocks two, I’ll be the belle of the malaria ball.

by Barbara Hamby

Here is the skin that you said you loved 
draped over the back of the chair in the kitchen. 
Here are the teeth. Here is the sternum, the 
clavicle, the fibula. Here are the angel bones 
laid out on top of the dresser like antique 
jewelry. Here are the earlobes, the knobbly 
elbows, the beauty mark near my temple 
that always got a moan out of you. Here are 
my thighs, my femur. All ten toes, all ten 
fingers. My pubic bone, preserved and 
wrapped in a velvet bag. Your name on the 
tag. Your name on everything. Here is 
the body that loved you. Here is the 
heart, bloodied and wanting. Here are
those drunk voice mails, the sober texts.
Here is your promise of staying. Here 
is the lonely hum in my brain where your
name used to be. Here is my spine. Here
is all the hollow. Here is all the longing. Here
is the heavy tongue, the scratchy vocal
chords. Here are all of the I love you’s.
Here is the shocking wreck of it all. Here is 
how you were closer to me than my bones, 
my skin. Here is the quiet city, your empty 
side of the bed. Here is the empty. Here is not 
knowing whether you loved me or not. Here is 
the poem that can’t save us. Here.

by Kristina H,

Oh god of walking out
into a field that will burn
in a year, wrap a square
around these peach trees
and call it a holy of holies.
In this empty air I can see
cinderblocks surrounding
an air conditioning unit, and
I need you to breathe this clay
behemoth back to the car lot.
Oh god of life going on unannounced
on the other side of this wall,
there would be so much space here
were it not for all these people.
Come out with me and we’ll lay down
sand bags and tour the entire length
with trumpets. Something will fall,
and I’ll name it after you

by Peter Bogart Johnson

Now I am quietly waiting for
the catastrophe of my personality
to seem beautiful again,
and interesting, and modern.

The country is grey and
brown and white in trees,
snows and skies of laughter
always diminishing, less funny
not just darker, not just grey.

It may be the coldest day of
the year, what does he think of
that? I mean, what do I? And if I do,
perhaps I am myself again.

When your mother hits you, do not strike back. When the boys call asking your cup size, say A, hang up. When he says you give him blue balls, say you’re welcome. When a girl with thick black curls who smells like bubble gum stops you in a stairwell to ask if you’re a boy, explain that you keep your hair short so she won’t have anything to grab when you head-butt her. Then head-butt her. When a guidance counselor teases you for handed-down jeans, do not turn red. When you have sex for the second time and there is no condom, do not convince yourself that screwing between layers of underwear will soak up the semen. When your geometry teacher posts a banner reading: “Learn math or go home and learn how to be a Momma,” do not take your first feminist stand by leaving the classroom. When the boy you have a crush on is sent to detention, go home. When your mother hits you, do not strike back. When the boy with the blue mohawk swallows your heart and opens his wrists, hide the knives, bleach the bathtub, pour out the vodka. Every time. When the skinhead girls jump you in the bathroom stall, swing, curse, kick, do not turn red. When a boy you think you love delivers the first black eye, use a screw driver, a beer bottle, your two good hands. When your father locks the door, break the window. When a college professor writes you poetry and whispers about your tight little ass, do not take it as a compliment, do not wait, call the Dean, call his wife. When a boy with good manners and a thirst for Budweiser proposes, say no. When your mother hits you, do not strike back. When the boys tell you how good you smell, do not doubt them, do not turn red. When your brother tells you he is gay, pretend you already know. When the girl on the subway curses you because your tee shirt reads: “I fucked your boyfriend,” assure her that it is not true. When your dog pees the rug, kiss her, apologize for being late. When he refuses to stay the night because you lived in Jersey City, do not move. When he refuses to stay the night because you live in Harlem, do not move. When he refuses to stay the night because your air conditioner is broken, leave him. When he refuses to keep a toothbrush at your apartment, leave him. When you find the toothbrush you keep at his apartment hidden in the closet, leave him. Do not regret this. Do not turn red. When your mother hits you, do not strike back.

by Jeanann Verlee (via sierrademulder)