time suddenly reverses and we watch together
as winds and rivers build mountains from dust
as islands sigh and sink back into the ocean like brooding leviathans
we erase what we wrote and forge forests from blank canvases
we excavate corpses like buried treasures born from the earth
we compress and collapse the last great cities into cravings for change

time suddenly reverses and we watch together
as portals of Polaroid people and places become pointless pieces of paper
we disentangle our desires from the raveled ropes of realization
we dust off deserted dreams and unpack them from boxes in the attic
we set them out on display for everyone to know and see

time suddenly reverses and we watch together
as scientists discover new ways to delete technological innovations
as people strive to detach themselves from their material possessions
we admire how hard everyone is working to remove all the distractions
each person playing their part in order to get back to what really matters
everyone is trying so hard to become less

time suddenly reverses and we watch together
as our moms and dads rise out of love and divorce with a handshake
as people evolve and devolve as they fade into and out of our lives
as everything continuously changes every day
for a moment we remember that life is rewinding
but then we forget

(…)

by @whatisyarvy on twitter

1. I told you that I was a roadway of potholes, not safe to cross. You said nothing, showed up in my driveway wearing roller-skates.

2. The first time I asked you on a date, after you hung up, I held the air between our phones against my ear and whispered, “You will fall in love with me. Then, just months later, you will fall out. I will pretend the entire time that I don’t know it’s coming.”

3. Once, I got naked and danced around your bedroom, awkward and safe. You did the same. We held each other without hesitation and flailed lovely. This was vulnerability foreplay.

4. The last eight times I told you I loved you, they sounded like apologies.

5. You recorded me a CD of you repeating, “You are beautiful.” I listened to it until I no longer thought in my own voice.

6. Into the half-empty phone line, I whispered, “We will wake up believing the worst in each other. We will spit shrapnel at each other’s hearts. The bruises will lodge somewhere we don’t know how to look for and I will still pretend I don’t know its coming.”

7. You photographed my eyebrow shapes and turned them into flashcards: mood on one side, correct response on the other. You studied them until you knew when to stay silent.

8. I bought you an entire bakery so that we could eat nothing but breakfast for a week. Breakfast, untainted by the day ahead, was when we still smiled at each other as if we meant it.

9. I whispered, “I will latch on like a deadbolt to a door and tell you it is only because I want to protect you. Really, I’m afraid that without you I mean nothing.”

10. I gave you a bouquet of plane tickets so I could practice the feeling of watching you leave.

11. I picked you up from the airport limping. In your absence, I’d forgotten how to walk. When I collapsed at your feet, you refused to look at me until I learned to stand up without your help.

12. Too scared to move, I stared while you set fire to your apartment – its walls decaying beyond repair, roaches invading the corpse of your bedroom. You tossed all the faulty appliances through the smoke out your window, screaming that you couldn’t handle choking on one more thing that wouldn’t just fix himself.

13. I whispered, “We will each weed through the last year and try to spot the moment we began breaking. We will repel sprint away from each other. Your voice will take months to drain out from my ears. You will throw away your notebook of tally marks from each time you wondered if I was worth the work. The invisible bruises will finally surface and I will still pretend that I didn’t know it was coming.”

14. The entire time, I was only pretending that I knew it was coming.

by Miles Walser

1. Anyone intending to embark on a major work should be lenient with himself and, having completed a stint, deny himself nothing that will not prejudice the next.

2. Talk about what you have written, by all means, but do not read from it while the work is in progress. Every gratification procured in this way will slacken your tempo. If this regime is followed, the growing desire to communicate will become in the end a motor for completion.

3. In your working conditions avoid everyday mediocrity. Semi-relaxation, to a background of insipid sounds, is degrading. On the other hand, accompaniment by an etude or a cacophony of voices can become as significant for work as the perceptible silence of the night. If the latter sharpens the inner ear, the former acts as a touchstone for a diction ample enough to bury even the most wayward sounds.

4. Avoid haphazard writing materials. A pedantic adherence to certain papers, pens, inks is beneficial. No luxury, but an abundance of these utensils is indispensable.

5. Let no thought pass incognito, and keep your notebook as strictly as the authorities keep their register of aliens.

6.Keep your pen aloof from inspiration, which it will then attract with magnetic power. The more circumspectly you delay writing down an idea, the more maturely developed it will be on surrendering itself. Speech conquers thought, but writing commands it.

7. Never stop writing because you have run out of ideas. Literary honor requires that one break off only at an appointed moment (a mealtime, a meeting) or at the end of the work.

8. Fill the lacunae of inspiration by tidily copying out what is already written. Intuition will awaken in the process.

9. Nulla dies sine linea [‘No day without a line’] — but there may well be weeks.

10. Consider no work perfect over which you have not once sat from evening to broad daylight.

11. Do not write the conclusion of a work in your familiar study. You would not find the necessary courage there.

12. Stages of composition: idea — style — writing. The value of the fair copy is that in producing it you confine attention to calligraphy. The idea kills inspiration, style fetters the idea, writing pays off style.

13. The work is the death mask of its conception.

by Maria Popova (via nevver)

Undercurrents by Michael Fragstein