With a slight push, a slip over some ill-defined edge, I could turn into a bag lady. It’s the same instinct: rummaging in junk heaps, pawing through discards. Looking for something that’s been thrown away as useless, but could still be dredged up and reclaimed. The collection of shreds, of space in her case, time in mine.
“
| — |
From Cat’s Eye by Margaret Atwood
|
Women collect grievances, hold grudges and change shape. They pass hard, legitimate judgments, unlike the purblind guesses of men, fogged with romanticism and ignorance and bias and wish. Women know too much, they can neither be deceived nor trusted. I can understand why men are afraid of them, as they are frequently accused of being.
“
| — |
From Cat’s Eye by Margaret Atwood
|
He expects me to console him, for his own guilt and the damage that’s been done to him. But I am not good at this…he spectacle of his suffering does not make me compassionate, but ruthless.
“
| — |
From Cat’s Eye by Margaret Atwood
|
…Homelessness is a nationality now. Somehow the war never ended after all, it just broke up into pieces and got scattered, it gets in everywhere, you can’t shut it out. Killing is endless now, it’s an industry, there’s money in it, and the good side and the bad side are pretty hard to tell apart.
“
| — |
From Cat’s Eye by Margaret Atwood
|
This woman frightens me. There is a lot of flesh to her, especially below the waist; there are folds across her stomach, her breasts are saggy and have enormous dark nipples. The harsh fluorescent light, falling straight down on her, turns her eye sockets to caverns, emphasizes the descending lines from nose to chin; but the massiveness of her body makes her head look like an afterthought. She is not beautiful, and I am afraid of turning into that.
“
| — |
From Cat’s Eye by Margaret Atwood
|
Old lovers go the way of old photographs,bleaching out gradually as in a slow bath of acid: first the moles and pimples, then the shadings, then the faces themselves, until nothing remains but the general outlines. What will be left of them when I’m seventy? None of the baroque ecstasy, none of the grotesque compulsion. A word or two, hovering in the inner emptiness. Maybe a toe here, a nostril there, or a mustache, floating like a little curl of seaweed among the other flotsam.
“
| — |
From Cat’s Eye by Margaret Atwood
|
I look at him with the nostalgic affection men are said to feel for their wars, their fellow veterans. I think, I once threw things at this man. I threw a glass ashtray, a fairly cheap one which didn’t break. I threw a shoe (his) and a handbag (mine), not even snapping the handbag shut first, so that he was showered with a metal rain of keys and small change. The worst thing I threw was a small portable television set, standing on the bed and heaving it at him with the aid of the bouncy springs, although the instant I let fly I thought, Oh God, let him duck! I once thought I was capable of murdering him. Today I feel only a mild regret that we were not more civilized with each other at the time. Still, it was amazing, all those explosions, that recklessness, that Technicolor wreckage. Amazing and agonizing and almost lethal.
“
| — |
From Cat’s Eye by Margaret Atwood
|
Once the people I knew died of suicide and motorcycle crashes and other forms of violence. Now it’s diseases: heart attacks, cancer, the betrayals of the body. The world is being run by people my age, men my age, with falling-out hair and health worries, and it frightens me. When the leaders were older than me I could believe in their wisdom, I could believe they had transcended rage and malice and the need to be loved. Now I know better. I look at the faces in newspapers, in magazines, and wonder: what greeds, what furies-drive them on?
“
| — |
From Cat’s Eye by Margaret Atwood
|
Young lady is a sign that I’ve gone too daringly close to some edge or other, but although it silences me for the moment it doesn’t tone me down. I’ve come to enjoy the risk, the sensation of vertigo when I realize that I’ve shot right over the border of the socially acceptable, that I’m walking on thin ice, on empty air.
“
| — |
From Cat’s Eye by Margaret Atwood
|
And yet it disturbs me to learn I have hurt someone unintentionally. I want all my hurts to be intentional.
“
| — |
From Cat’s Eye by Margaret Atwood
|
Time is a dimension,” he says. “You can’t separate it from space. Space-time is what we live in.” He says there are no such things as discrete objects which remain unchanged, set apart from the flow of time. He says space-time is curved and that in curved space-time the shortest distance between two points is not a straight line but a line following the curve. He says that time can be stretched or shrunk, and that it runs faster in some places than in others. He says that if you put one identical twin in a high-speed rocket for a week, he’d come back to find his brother ten years older than he is himself. I say I think that would be sad.
“
| — |
From Cat’s Eye by Margaret Atwood
|
Art is what you can get away with, said somebody or other, which makes it sound like shoplifting or some other minor crime. And maybe that’s all it ever was, or is: a kind of stealing. A hijacking of the visual.
“
| — |
Cat’s Eye by Margaret Atwood
|
I think of sardines and their backbones. You can eat their backbones. The bones crumble between your teeth; one touch and they fall apart. This must be what my own backbone is like: hardly there at all.
“
| — |
From Cat’s Eye by Margaret Atwood
|
I know too much to be good. I know myself.
“
| — |
From Cat’s Eye by Margaret Atwood
|
Time is passing; in the silence before the long dash the future is taking shape. I turn my head into the pillow. I don’t want to hear it.
“
| — |
From Cat’s Eye by Margaret Atwood
|